I Believe It Is an Image (Gary Hill) WATARI-UM, The Watari Museum of Contemporary Art, Tokyo, 1992

Published in English and Japanese on the occasion of Gary Hill’s exhibition at the Watari Museum, the book includes a text by Sarrazin titled “Channeled Silence” alongside a Q&A between Hill and Shizuko Watari. One of the earliest monographic publications on Hill’s work produced in Japan, it marks the beginning of a sustained critical engagement with the artist’s practice.

Surfing the Medium Chimaera Monographe No. 10, Centre International de Création Vidéo Montbéliard, 1992

A critical monograph on Gary Hill, written during the period of Sarrazin’s work as artistic and editorial advisor at CICV. One of the most detailed early studies of Hill’s video installations, drawing on extensive interviews and close readings of key works. Remains a reference in the Hill bibliography.

Réponses du cinéma japonais contemporain (1990–2004) Lettmotif, 2013

A collection of interviews with more than twenty contemporary Japanese directors, combined with essays and criticism spanning the major genres of the period — anime, horror & fantasy, yakuza film, comedy, art cinema, and erotic cinema. The first sustained critical account in French of Japanese cinema’s transformation across this fifteen-year period.

Akino Kondoh, sous la jupe le frémissement Derrière la salle de bains, 2013

A short study of the Tokyo-based artist and animator Akino Kondoh, whose practice moves between drawing, painting, and animation.

L’Aventure du corps dans le cinéma japonais Accompanying book, Nikkatsu Roman Porno box set, Éléphant Films, 2019

88-page volume of essays and interviews accompanying the French DVD/Blu-ray release of a selection of Nikkatsu Roman Porno films, produced by Nikkatsu studio from 1971 to 1988. Situates the genre within the broader history of Japanese cinema and the culture of the body it both reflected and challenged.

Emma Peel: bottes de cuir contre chapeau melon Les Impressions Nouvelles, collection « La fabrique des héros », 2023, 104 pp.

A study of Emma Peel — the character created for The Avengers (1965–68) and embodied by Diana Rigg — as a singular icon of 1960s pop culture: the swinging London aesthetic, the martial arts influence, the mod fashion moment, and the lasting cultural afterlife of a figure who crystallized an era.