between 1989 and 2024, Stephen Sarrazin has taught the following selection of undergraduate and/or graduate courses on the following topics:

-history of video art

-le documentaire de création, de Jean-Paul Fargier à Stefaan Decostere

-Gary Hill, Bill Viola and reception of installation art in France

-mutation in horror cinema: from Murnau to Universal

-auteurs and the horror genre: Romero/Argento/ Hooper/Carpenter/Cronenberg

-David Lynch, from Lumberton to the Black Lodge

-David Lynch as visual artist

-an introduction to Hong Kong Cinema

-Clint Eastwood, between ghost and masochist

-Aesthetics of Montage, from analogue to digital

-French cinema 1: from Marcel l’Herbier to Marcel Carné

-French cinema 2: from the Cahiers generation to post-nouvelle vague and mannerism

-Jean-Luc Godard and the advent of video in cinema and post-cinema

-Maurice Pialat and Bruno Dumont: hearing other voices

-19th century painting in France: Delacroix, Courbet, Monet, Cézanne

-French contemporary art

-Moving image as contemporary art

-Le cinéma installé

-Curatorial models and practices

-Programming as curating

– Japanese cinema and genre history 

-Women’s voices in Japanese cinema

-Independent Japanese cinema, from ATG to Production Committee films